An oversized hoodie is an everyday garment, but in Dreams of Arthur, its proportions suggested something closer to sculpture. Volume became a defining feature, altering the familiar outline of streetwear and giving the clothed figure a more imposing physical presence.

Within LAAM Fashion Week, the collection brought together oversized hoodies, leather and dramatic outerwear in a visual vocabulary shaped by resistance and self-expression. Sharp collars introduced angular definition, while faux fur complicated the textural character of the garments. The contrast between these surfaces gave the silhouettes a distinct visual tension, shifting attention from conventional streetwear styling towards the possibilities of shape and construction.

Masking added another dimension. Beyond its visual impact, it introduced questions of anonymity, protection and the identities people choose to reveal or conceal. Against the collection’s exaggerated proportions, these elements suggested that clothing could communicate resistance without relying on explicit slogans or symbols.

What made Dreams of Arthur particularly interesting was its treatment of familiar garments as carriers of more complicated ideas. The hoodie retained its associations with everyday street culture, yet its altered scale invited a different reading. Here, identity and belonging were expressed not only through what was worn, but through how much space the clothing occupied and how deliberately it obscured the wearer.